Negative Space

* Bob Bahr on Lisa Dinhofer: [...] putting the emphasis on the objects in your scene is risky if it leads to forgetting that the negative space is where your piece is either going to excel or be average. "The most important part of a painting is the space between the objects," she said. "It's also the hardest part to paint. But that's where the poetry is."

In some cases, the negative space is drawn, even if it is just some hatching to provide a tone. But often in people's drawings, the negative space is simply the paper. [...]

I am a fan of toned paper. It's expensive, but if I plan on spending even a coupla hours on a drawing, the cost is justified. I use colored pastel paper in a pad, usually from Canson. But I also like using Bogus Rough Sketch from Bee Paper. It's designed for fashion sketches, but its significant tooth and nice brown tone make it a great paper upon which to work up and down in value.[...]